anthropocentric optimism

The author is reflecting on society’s secondary reaction to Charles Darwin (following denial), which rushed to adopt the workings of evolution as proof of man’s supremacy in the universe. Henry Adams, in thought and repose, abstained from this belief and went further to criticize nature’s workings.

Despite their epistemic shift, however, many evolutionist treatises were characterized by the same anthropocentric optimism that typified their predecessors. . . . the most prominent evolutionist discourses from 1870 to 1900, especially in America, triumphantly announced the naturalization of the “Supremacy of Mankind over the Earth.”

As Adams himself notes in The Tendency, America added to evolution “the cheerful optimism which gave to Darwin’s conclusions the charm of possible human perfectibility” (130). “Society naturally and instinctively adopted the view that Evolution must be upward” (153) . . . though humanity’s exceptionality was no longer assured by divine ordination, its position atop creation was yet secured by the workings of natural law.

Adams, however, while citing evolution as crucial to his own materialist historiography and aware of its aesthetic appeal (it was, he claimed, “the best substitute for religion”), unconditionally refuses the optimistic terms of its popular representations (Education, 225). Rejecting any belief in a “doctrine of development”—whether biologically or socially engineered—he offers instead an alternative, pessimistic account of humanity’s past, present, and future.

Perhaps most important for Adams is his conviction that evolution could offer only “pure inference,” not evidence, of progressive “selection”: “All he could prove was change,” not improvement (Education, 230, 228, 230). Indeed, if evolution has a direction, The Education suggests, it is downward.

Taylor, Matthew A. Universes without Us: Posthuman Cosmologies in American Literature. Minneapolis: University of Minnesota Press, 2013. 63, 64. Print.


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s